CHESTERFIELD PHOTOGRAPHIC

SOCIETY

- ESTABLISHED 1938 -

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COMPETITION SUBJECTS   2019-20

There will be six competitions during the season (4 x Digital and 2 x Print)

As in the last seaon, each competition will be held on a separate night - the intention is to maximise the judging time availale on competition night.

 

 

There will be TWO themes WET and FOOD) for the DIGITAL section, plus TWO open competitions.

 

There will be ONE theme (SCAPES) for the PRINT  section, plus ONE open competition.

 

 

All images, either print or digital must originate from either digital capture or from traditional film. Where digital capture has been used, the Competition Secretary reserves the right to see the original with RAW or .jpg as generated by the camera or recording medium.The whole of the image must be taken by the photographer and that person must hold the copyright to all parts of the image used

 

 

NB: submission of images for entry into a competition indicates acceptance by the entrant that these images may be displayed on the Society's website.

COMPETITION RULES

There are two classifications of competitions: -    DIGITAL   and   PRINT 

 

For each competition, a member may submit up to THREE images. The images can be submitted at any aspect ratio either in colour, toned or monochrome unless the competition has been given a set subject or theme to follow. The dates of the competition and whether it’s an Open or Themed subject matter will be detailed on the Society’s web site.

 

The format and sizing of images shall follow the guidelines as outlined below.

 

If entering more than one images, each image must be numbered or listed in order of priority. If the overall number of images entered by members for a competition would result in an unreasonable assessment time for the Judge to carry out his assessment, the lowest priority image(s) will be omitted from the competition.

 

To ensure fair and unbiassed assessment, judges will be externally appointed. The judge will be asked to place a 1st; 2nd; and 3rd; and to assign highly commended images, and to give each image a score out of 20.

 

Some of the competitions will be either given a set subject or theme to follow. In this instance the image should be the member’s visual interpretation of the subject. This interpretation will be taken into consideration by the judge as well as the compostional and technical qualities of the picture. Interpretation as to the whether the image fits the set subject or theme will be at Judges discretion. If, in the opinion of the Judge, the image does not meet the set subject or theme criteria it is likely the image will be marked down.

 

If the competition has no set subject or theme it will be defined as an OPEN competition. In this case the member has total discretion on genre, subject matter, colour, toned or monochrome.

 

Images cannot be entered in more than one competition if they have been awarded a placing or highly commended in previous competitions. Images that are similar to a previously awarded or highly commended image are also excluded. Images not placed and not given highly commended in previous competitions can be submitted in new competitions.

 

At the end of the season, Certificates will be awarded to any member that has achieved a placing or highly commended in any of the season’s competitions. Also, the members TWO highest scores from each of the season’s competitions will be summated to give an overall score for the season. This overall score will determine the photographer of the year awards as follows:-

 

  • The member with the highest accumulated score for their Digital entries will be awarded the Digital Photographer of the year.

  • The member with the highest accumulated score for their Print entries will be awarded the Print Photographer of the year.

  • The member with the highest accumulated score for both the digital and print entries will be awarded the title of overall Photographer of the year and given the Memorial Trophy to retain until end of the following season.

 

Submission of images for entry into a competition shall indicate acceptance by the member that these images may be displayed on the Society's website.

 

 

DIGITAL ENTRIES (Note change is image size restriction)

 

Digital entries should be submitted as jpeg images no larger than 1600px x 1200px, with the 1600px being the horizontal dimension of the image and the vertical dimension being no larger than 1200px even for a portrait image. Images should not be larger than 2.0Mb and they should be saved as a .jpg file with a recommended minimum resolution of 300 pixels per inch. Colour workspace should be set to sRGB.

 

The title of the image should be in CAPITAL LETTERS for the whole of the title, followed by the word "by" and then the author's name in lower case with capital letters only at the start of each name.

 

Example:   THE PHOTOGRAPH by John Smith.jpg

 

The images MUST be submitted via Email or handed on a memory stick to the Competition Secretary by no later than MIDNIGHT on the THURSDAY before the date of the competition.

 

Note: The software used for the projected display of digital entries will accept any size jpeg image. However, members should be aware that the software will resize the image to fit within the aspect ratio of maximum horizonal width of 1600 pixels (px) and maximum vertical height of 1200 px. If the image is larger it will be reduced to fit and conversely if the image is smaller it will be enlarged. Please note small images that are resized bigger will potentially look pixilated and will exaggerate any noise or artefacts within the image reducing the quality of the projected image.

 

 

PRINT ENTRIES

 

Prints should be mounted, and the mount should ideally be 500mm x 400mm. Mounts in excess of this figure may be excluded at the discretion of the Competition Secretary.

 

Mounts smaller than 500mm x 400mm will be accepted but members are encouraged to present their images in 500mm x 400mm mounts if possible.

 

There must be nothing on the front of the print that will give any indication as to the identity of the author. On the back of the print, the title and author’s name should be clearly indicated on the top edge of the print so that the presenters can confirm the print title, confirm the author’s name and know which way the print is to be displayed.

 

A digital copy of the print entry, conforming to the same specification as the digital entries MUST be emailed, handed to or posted to the Competition Secretary to be received no later than MIDNIGHT on the THURSDAY before the date of the competition.

 

A digital copy is required to allow: -

 

  • Competition images can be published on the Society’s web site.

  • The image data to be imported into the competition software to assist in the recording and scoring during the evening of the competition.

  • The option to present a digital projection of the prints on the evening of the competition.

 

The actual print shall be handed to the Competition Secretary no later than 19:15hrs on the date of the competition evening.

 

 

 

Any members requiring guidance on digital sizing, formatting and naming files, print mounting, etc or unsure of the rules, please feel free to contact the Competition Secretary or any other members of the committee who will be only too pleased to offer help and guidance

 

 

Competition Secretary:

Paul Townson 

Tel: 01246 569629 or Moblile 07805 172992

COMPETITION RESULTS

7th May - DIGITAL COMPETITION - OPEN Theme

 

© All images are also copyright to the photographer, please contact via email info@chesterfieldphotosociety.org if you are interested in using any photographs

                                           ENTRY IMAGE                  TITLE & AUTHOR                                                            PTS

 

SHORELINE CURLEW by Steve Williams

WOMAN IN GOLD by John Rutherford

HARE ON THE BOUNCE by Steve Williams

TOM by Simon Beynon

EAT MY DIRT by Simon Beynon

GOING DOWN by Brian Davis

PALMA CATHEDRAL by Andrew Evans

WHITBY by Alan Ford

CONCENTRATION by Simon Beynon

FOX IN THE NIGHT by Steve Williams

LEGEND OF THE SPIRE by Paul Townson

WAITING by Simon Grieve

ABANDONED by John Rutherford

BLACK MASK by Shirley Davis

BRUSSELS CONVENTION OF THE MACABRE by Peter Davis

COFFEE SHOP GIRLS by Alan Ford

COTTON CLOUDS bt Pauline Chicart

DOWNWARD SPIRAL by Tim Ramsay

EVENING EXPRESS by Ian Bagley

FANCY A SLICE by Josh Heaton

FOLLOW THE BLUE BRICK ROAD by Brian Davis

FROZEN TREES IN THE STREAM by Shirley Davis

LADY'S SMOCK CLOSE UP by Roger Barnes

LES HALLES CURVES by Shirley Davis

LIGHT GAME by Pauline Chicart

LITTLE BLUE HERON by Paul Townson

OH DEER by Chris Briddon

OLD PIER LOCH SKIPPORT by Pervaiz Iqbal

OUT OF THE BLUE by Tim Ramsay

PICOS DE EUROPA by Brian Lee

READY TO PLAY by Chris Briddon

ROOMS IN THE SKY by Martin Mosley

SHANGHAI by Pervaiz Iqbal

SYMMETRY by Hannah Rhodes

TEAM FORD by David Simpson

WEEEEE by Stephan Presland

AGE OF STEAM by David Watson

BETWEEN THE BRICOLA by Martin Mosley

BLOOMIN CLEMATIS by Julie Avery

BLUE TIT by Tim Swift

HEADING FOR THE CLOUDS by Martin Mosley

HORSESHOE BEND by Peter Davison

HOUSE SPECIALITY by Julie Avery

LIGHT IN THE DARKNESS by Will Nightingale

LOOKING FORWARD TO IT by Stephan Presland

ORANGES by Davis Simpson

RIGHT AT THE END by Tim Ramsay

RIVER DERWENT FLY FISHING ON A MISTY MORNING by Paul Heaton

ROSE PORTRAIT by Paul Heaton

SEE ALL SAY NOWT by Peter Davison

SUNSET SOUTH HARRIS by Talat Iqbal

TARGET BERLIN by Andrew Evans

THANK YOU by Will Nightingale

TIME FOR A DRINK by Will Nightingale

TREE FROG by Alan Ford

TREE SILHOUETTE by Tim Swift

WATCHING THE GLOBE by Brian Davis

A QUICK DRINK by Ian Bagley

BREAKING FREE by Josh Heaton

DEEP COVE by Pauline Chicart

HARROGATE VIADUCT by Tim Swift

MOODY BLUES by Andrew Evans

OCEAN by Hannah Rhodes

READY FOIR THE OFF by Brian Lee

STORNOWAY by Pervaiz Iqbal

THREE PEAKS by Josh Heaton

TIUMPAN LIGHTHOUSE by Talat Iqbal

WHAT'S GOING ON by Chris Briddon

DANDELION by Simon Grieve

EVERGLADES MOTH by Paul Townson

FLOP FLIPS by David Simpson

GARDEN SUNRISE by Julie Avery

HAREWOOD HILLCLIMB by Brian Lee

MOSS SPICULES by Roger Barnes

STORMY SAILS by Ian Bagley

THE GATEWAY by Davis Watson

THREATENING SKY OVER THE FJORD by John Rutherford

TULIPS by Pervaiz Iqbal

MALE EMPEROR MOTH by Roger Barnes

MORNING SKY by David Wayson

SKELETON STAFF AT THE BOATHOUSE by Paul Heaton

SPRING AND THE FROGS HAVE ARRIVED by Stephan Presland

STAR TRAIL IN LOCKDOWN by Simon Grieve

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Highly Commended

Highly Commended

Highly Commended

Highly Commended

Highly Commended

1

2

3

4

5=

 

 

 

9=

 

 

 

13=

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

37=

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

58=

 

 

 

 

 

 

 

 

 

 

69=

 

 

 

 

 

 

 

 

 

79=